For my private lesson I prepared a bunch of questions on things I felt I regressed, and also on things I wanted to work in the future on and didn't want to create bad habits.
- Left Inside Mohawk (the regular one, done in MITF or FS) Problem: I was changing the entry edge from I to O just before the turn; Correction: twist the upper body sideways to align over the circle, so the L shoulder back (I used to stay more square and the left shoulder stayed back, outside the circle, pushing me to an O edge)
- The European Waltz 3turns Problem: I was delaying the turn (I guess to find the alignment) and then force the turn from the foot/ ankle. Correction: the regular 3 turn has 5 phases after the entry edge: Rise, Turn the upper body, Turn, Check, Re-bend, then exit edge exit. The European Waltz being quicker combines the first 3 phases, so you use the rise from the entry edge to get flow into turning the upper body over the circle; the back hip stays only slightly back (I used to leave it back, the correction felt like I had to engage it to bring it forward), engaged in opposition with the upper body twist and release at the point of turn. This release of the hip creates the turn. The check is with the shoulder down, arm up like being pulled backwards by somebody. Interestingly I was recently working after some youtube videos, at the regular 3 turns check, and they were saying press the palm down and back... I guess this does the same thing, shoulder down and upper body straight/ not forward. The strong check and balance allows to be able to not wide push. In order to push neatly, the skating foot moves out of the way, the new skating foot stays underneath
- The Foxtrot O ClMo Problem: I can do it but not at full speed, and it feels jumped. The correction: O entry edge by looking to the left, Rise and bring L foot toe to R foot heel (I think I was bringing the instep at the heel), Plie and twist the left foot (I guess the ball of the foot/ little toe to hold the outside edge) out of the way by maintaining the outside edge by staying on the little toe, this twist makes way for the right foot to step down underneath the body, and the left foot pushes from the plie.
- B Cross Strokes Problem, not much flow. Solution: after the stroke the free leg opens to the side so it can come back (for the next stoke) directly behind the heel, plie and push, then the knees stay togheter to help the body weigh on the new O edge
- F Cross Strokes to improve, feel the force of the push going into the skating knee
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