1st week of June

On Wednesday I'll have a business meeting North side.  That is where my boot fitter is and there is where my old coach is. I've decided to drive up and have a lesson on Tuesday and drop the boots, and pick them up when I get off my business meeting on Wednesday/

Monday. In preparation for my lesson with old coach, I practiced the double 3 turns. They were very rusty but got acceptable during the practice. The only negative was that I took a pretty heavy fall and my muscles tensed up and hurt. But luckily I haven't injured anything. 

Tuesday. The drive there was 1 hour 15 minutes, but back was an hour and a half... so, yeah, it not doable to see my old coach too often. As I work on dance with the new coach, I though to have this lesson toward moves in the field. I requested a full hour lesson. 

- The warmup was edges (correction: look where I'm going - I was flicking my head towards forward, and don't  twist, meaning stay square and encourage the edge by leaning). For the FI edges, tailbone under and more ankle bend. More ankle bend (push into the tongue of the boot, knees have to surpass the toes) I continued to hear during the whole lesson. On B edges more ankle bend and arched back, forming a Z.

- The coach wanted to start with simple 3-turns.  LFO3, surprisingly, the correction for the (the one that troubled me as I couldn't control the exit) was that I didn't turn it on the ball of the foot, I was towards the middle of the blade. I was also not completely aligned over the hip, the correction that worked was to lift the ribs over the hip. Then, a strong check is needed. RBI needed better alignment (lift over the hip and the free shoulder should pass the skating heel, so I should lean into the circle way more) and have the free leg thigh/ knee press into the skating leg. RBO same correction for the free shoulder. Also turn on the back of the blade, on the last 2 screws...

- For the double 3s is very important to check the 1st 3, use the top of the lobe carefully to change the upper body and extend the free foot (for the B 3s)

- Power 3s, after Mo, a push into B3 is acceptable, then the power comes from a lift like for a Loop jump. Strong check and repeat 

Wednesday, after I picked up the boots, I stopped by the rink on my way home. It was a bit of bad lack that the session I used to go to, was now an hour later. I decided to enter the session that was on right then, but I had just 15 minutes of skating. They had then, a 30 minutes break... so I didn't stay for the next session. With that little time I decided to not go through the 3-turns correction. I decided to work on the TenFox 3-turn. Yeap still scrapping...

Thursday. After 2 days away from home and work, I had so much to do. There were 2 skating sessions that day, morning at 9, and mid day 1.30. I decided to go to the 9 am one, because from my previous experience, when I get too much work to do I get caught up or exhausted  and I don't go skating anymore. While driving I though on how to organize the skating sessions and I couldn't really. My mind kept slipping back to work. So, I skated in default mode, and that took my again into the TenFox... mostly the 3-turn. I skated only TenFox related exercises and I skated hard so I felt tired after 35 minutes. Maybe it was ok for that day, as I had lots of work waiting. But,  this is exactly what I don't want to do... I want to balance each skating sessions (to work on more things) and the skating journey in general. My goal from this month, is to find ways to do that.

Anyway... the TenFox 3-turn. 

- I figured I was pressing towards the ball of the foot to accentuate the FO entry edge while rising, so at the point of the turn there was no more space to rock forward.  So I have to stay on the back of the blade. Probably a stronger core and posture, with the tailbone underneath, or hips forward, would help

- While twisting (and turning) I have to bring the hip forward (the free ribs and hip feel stacked over the skating side). And of course, the feet together (correction from my new coach). Then, I figured maybe I should think ate pigeon toe instead of feet together, that may bring the hip forward too.

Friday I went skating with the thought of finding balance in my skating. 

- I warmed up as I always do - fast

- I added some alignment awareness warm up exercises (like slower edges) - slow

- Chasses and SwRolls - fast

- Those seamed to help the entry into the TenFox 3-turn - slow

- TenFox - fast

- regular 3-turns with emphasis again, on alignment. I insisted on the LFO 3-turn and the circles (edges) F and B - slow

-TenFox - fast 

- exercise for TenFox of RFO double bend into the 3 turn. I think I finally figured out how to fix it. I was rising at the end of the 4 count double bend. The new coach suggested to stay low, but you have to rise to push into the 3-turn. I watched some videos of the dance and it looks that both the rise in the middle of the 4 count, and at the end of 4 count are very quick, not a full beat, so the rise is AFTER the 4 count double bend edge, and it IS the push into the 3 turn. With this approach the 3-turn seems to be on time. I think I was adding almost 2 beats there... one to finish the 4 count lobe and one to push into the 3-turn. If this is figured out, fingers crossed, I still need to make everything a little quicker to match the required tempo. 

 -Twizzles - I didn't work on them in a while and they weren't stable - slow

- the B power 3-turns, but slow, working at the form 

-F  Stroking and Xstrokes - they were slow, a sign that I was tired

- Winding down 

This took 45 minutes, I was happy at the end. Of course I could have felt happy because I felt progress on TenFox. But maybe I made this progress because I tried a different approach. Also, a shout out to the alignment exercises, they seam to help and I can do them slow, when I'm tired. I should continue to incorporate them into most of the session. And I looks that I intuitively worked on some fast things, then some slow things.

TenFox update

I was working at the TenFox when the Covid interrupted, well everything. I had an intention to start working at it again at the end of last year, I had a private lesson towards it but I gave up as it became clear that I wont be able to see my coach regularly. I do work and test the pattern dances by partnering my coach, so without him... I now found a new coach, and the first lesson was promising. 

Here are the corrections:

- start at the red dot on the hockey circle, not at the edge. That helped a lot in filling the ice.

-intro dropped 3 turn. I worked on these at the end of last year. I could do them at a pace of 3 counts, so turning on 3. Whenever I was trying them in the TenFox, on a 2 count, I was scraping them. The correction from my old coach was to straighten up completely as I was turning, also to keep connected the skating shoulder with the free leg, I guess to help the free hip come around. More than that, I was interrupting the flow after the first stroke, I was rising and then twisting the shoulders, while the skating foot also stalled. I have to rise and twist at the same time, let the skating foot continue and bring the free hip around more. The 3s improved, but now they are slow again. I think the biggest reason is that my muscles are tired and sluggish so I'm not quick enough.  The new coach suggestion was to allow for a lower, shorter, extension into the stroke, so I can rise and turn quicker. And instead of rise, her cue is together (feet together), that helped straightening faster I guess!

- B progressive, quicker stroking. The coaches cue is push, push... 2nd lesson correction, stay low during all strokes.

- B SwR make it tighter, quicker. 2nd lesson correction for BSwR in general was to arch the back

- Step forward

- 4 count edge with knee bend, point the toe and maybe don't rise at the end completely, so I gain time to get into the 3turn, where I'm late :(

- B progressives towards back, along the hockey circle 

- Mo, don't swing the free leg, that brings the foot at the skating foot toe, after 1st edge bring the free for directly at instep (that would make me rise too). I'm excited to have the new image and cue of together  instead of rise, I guess just because it is new, it grabs my attention quicker. I figured while training that if I push the right shoulder back more, the hip seems to open and the free foot seem to go easier towards the instep

 

 !!! (June 6th) I think I finally figured out how to fix the timing of the 3-turn. I was rising at the end of the 4 count double bend. The new coach suggested to stay low, but you have to rise to push into the 3-turn. I watched some videos of the dance and it looks that both the rise in the middle of the 4 count, and at the end of 4 count are very quick, not a full beat, so the rise is AFTER the 4 count double bend edge, and it IS the push into the 3 turn. With this approach the 3-turn seems to be on time. I think I was adding almost 2 beats there... one to finish the 4 count lobe and one to push into the 3-turn. If this is figured out, fingers crossed, I still need to make everything a little quicker to match the required tempo. 

 

Private Lesson

For my private lesson I prepared a bunch of questions on things I felt I regressed, and also on things I wanted to work in the future on and didn't want to create bad habits.

- Left Inside Mohawk (the regular one, done in MITF or FS) Problem: I was changing the entry edge from I to O just before the turn; Correction: twist the upper body sideways to align over the circle, so the L shoulder back  (I used to stay more square and the left shoulder stayed back, outside the circle, pushing me to an O edge)

- The European Waltz 3turns Problem: I was delaying the turn (I guess to find the alignment) and then force the turn from the foot/ ankle. Correction: the regular 3 turn has 5 phases after the entry edge: Rise, Turn the upper body, Turn, Check, Re-bend, then exit edge exit. The European Waltz being quicker combines the first 3 phases, so you use the rise from the entry edge to get flow into turning the upper body over the circle; the back hip stays only slightly back (I used to leave it back, the correction felt like I had to engage it to bring it forward), engaged in opposition with the upper body twist and release at the point of turn. This release of the hip creates the turn. The check is with the shoulder down, arm up like being pulled backwards by somebody. Interestingly I was recently working after some youtube videos, at the regular 3 turns check, and they were saying press the palm down and back... I guess this does the same thing, shoulder down and upper body straight/ not forward. The strong check and balance allows to be able to not wide push. In order to push neatly, the skating foot moves out of the way, the new skating foot stays underneath

- The Foxtrot O ClMo Problem: I can do it but not at full speed, and it feels jumped. The correction: O entry edge by looking to the left, Rise and bring L foot toe to R foot heel (I think I was bringing the instep at the heel), Plie and twist the left foot (I guess the ball of the foot/ little toe to hold the outside edge) out of the way by maintaining the outside edge by staying on the little toe, this twist makes way for the right foot to step down underneath the body, and the left foot pushes from the plie.

- B  Cross Strokes Problem, not much flow. Solution: after the stroke the free leg opens to the side so it can come back (for the next stoke) directly behind the heel, plie and push, then the knees stay togheter to help the body weigh on the new O edge

- F Cross Strokes to improve, feel the force of the  push going into the skating knee

Skating update: settling in

I'm settling into the new skating schedule!

I was complaining in my last post that I'm tired to the point of inefficient when not having a break  day after a skating day. I skate Monday, Wednesday on my own and  Tuesday I have my lesson at another rink. I wasn't seeing other option... I mean I need the lesson, I've tried in the summer to get a longer lesson every other week, and it didn't go that well. But if I'm tired after Monday I'm not efficient in the lesson on Tuesday. Well, this week, my energy during the lesson was better!  The worst was Wednesday, as it was the third consecutive day of skating and my muscles were really slow. And have I said yet that this noon ice is on hour and a half? I know... it's great... more ice... The problem is that being tired could lead to falls and injury. But again, this week I felt better, very tired after, but able to keep in control during skating.

Ice is available when it's available... and during the school year it is not available during the week-end. This noon adult only session is available only Monday, Wednesday, Friday. From Monday to Thursday there is a 1.45pm Freestyle session that I also like, in the sense that it is not crowded. Theoretically I could do Monday noon skate, Tuesday lesson at another rink, Wednesday break, Thursday FS practice ice, Friday noon skate. But, FS it's only an hour, and I'm used to that hour and a half for the adult skate. It's unbelievable how different it feels to go from an hour and a half to an hour... I have the feeling that I cannot fit everything, all the exercises, in and then I rush, I tense and that could lead  to falls... I'm very very happy I'm settling in!

The skating goes well too. I used to always start with the Moves, the logic was that that they are warm up exercises, but also that I prepare them for test, and you test them while having just a 5 minute warm up. Lately, the 3turns were quite a mess, and after I had 2 lessons just about them, and I haven't gotten any major correction, I've realized, I just lost my patience... I have to give them a break. So, the last 2 weeks I started with the other moves for warm up, then I moved into Ice dancing exercises and dance. And this week lesson was the Ten Fox, and I'm happy to report it didn't feel that bad. When I was working at it before the quarantine I was, again, so bored by it... I just couldn't gather myself to squeeze more out of me. It didn't inspire me... now, it seems a little fresher. At some point, after I was warmed up so in possession of a nice soft knee, well, two soft knees, I gave the 3-turns a chance, and...drum roll, they were there! So, before, when they didn't work, was it boredom, or I was high and locked in knees because I started with them? Probably both... Meanwhile Freestyle took a back seat. I cannot really jump when I'm tired. I do a waltz jump here and there, but I'm working at the forward spin change of position for the dance program, that's something. I also work on twizzles for the dance program, oh how slow they are... And when I feel really really tired, I do Figures.

One piece of bad news... it wouldn't be skating if there wouldn't be some difficulties... Now we have to keep with the mask on, all the time, even while skating... I did that for the first week I skated after the quarantine and it felt awful, but each time was a little better. And at that point, just back on ice after 3 months, I was skating very slow. When I go fast now, I have to stop a little to catch my breath, but with each session it's a little easier. It is what it is...

Monthly skating review: progress and goals adjustment

Last month I recovered from a flu and so I couldn't skate as much as I wanted. I skated 3 times a week. The last two weeks I added Thursday to the schedule and I added an half hour lesson to the one I take on Mondays. But... both these last two weeks I didn't skate on Friday. Something came up and it would have been a stretch to get to the skating rink.

Freestyle: I've done zero jumps and spins. As I was still congested after the flu, I was too out of breath to jump and not finding the balance for the spins. I'm feel excited to get to work on them again.

Figures: I've introduced figures in my training. Read about my reasons and the first lesson from two weeks ago, here. It seams I'm settling in practicing them around 20 minutes on Wednesdays and Thursdays at the very beginning of the sessions when the ice is clean.

MITF: The big change here is that I'm doing the backward 3-turn holding the free foot out, before I was bringing the free foot at the ankle when I turned and extended it after. I worked on them in isolation in cluster of two: forward 3-turns into backward 3 turns. I'm planing to start putting them on the pattern now, so 3 sets of two on the length of the rink. I think the rest of the moves I'm doing, those from the Pre-Juvenile, test are strong. I plan to start doing all these exercises with awareness on presentation, with entry steps and exit steps as I would do them when testing. I also plan to start working at the 5 minutes warm up, that's what I would have before the test. I don't want to do this as soon as I step on ice, as I remember it used to unsettle the whole skating session in the past. It made my rush and push too hard and then I felt tired.

Ice Dancing: it's definitely improving. The proof is that I finally got to partner the Ten Fox with my coach, on music. It could still use a little more work so I haven't registered to test. The 3-turns are stronger, but they are different in different days, I have bad days when I cannot really make them good, meaning they are still not reliable. Partnering is better. I added speed at the end pattern and that made me scared of the outside Mohawk, but it is happening now. I should start working on a 5 minutes warm up for dance, as soon as I step on ice, then do the dance so i would really mimic the test session.

Training process: Not being ready to test the Ten Fox got me disappointed and made me wonder if my goal of testing standard is appropriate, or I'm setting myself for failure. Then, I was questioning the training process. You can read my thought on process oriented training versus goal oriented training in the previous post. I feel that lately all I had in my mind was testing the Ten Fox and I've lost sight of the process. But I'm realizing I've never really figured out a training process... So, that's my goal now! Plus, of course, I want to test the Ten Fox...

Stretching with cats and mid month update

As the last blog was about feeling "overstretched" mentally because of me being involved in too many activities, well the cats mostly... it's just fitting to tell you what just happened while stretching with the cats.

Because my hip bothered me for a long while, I'm trying to care for it as much as I can. I'm really bad at doing strengthening exercises systematically. I do them now and then, plus I take once a week ballet. But, I do stretch each time after skating and I feel it makes a big difference. I stretch the quads, calves, IT band and mostly the hips, trough twists, so the tense muscles will relax. At home I roll. So it's no stretching with the cats, it's rolling with the cats. I have this big foam tube and I roll on it. Then I have different size balls and other "torturing devices" to help me get into the smaller muscles and press them to relax. The one I use the most is a tennis ball. But you know how cats and balls are a natural match. So I really have to hide mine, otherwise I never find them when I need them. The cats have their own ball-toys. Well, as I was rolling on the tennis ball on the rug, my phone rang and I've got up to get it. I went back to sit on the rug and roll, while talking, only that my tennis ball was nowhere to be found. It took them like 5 second to steal it from me... So that's how stretching with cats goes... always...

I'll continue with the cats, just shortly, as this is a skating blog... I'm working in setting a blog about alley cats, I hope that will help me put my thoughts together, so I can help them more. I'm still fiddling with both the design and the concept of the blog, because I want it to be more then a diary. I'll share the blog title as soon as I feel I've it right.

Now, the skating... I think it was good at the beginning of the month, then I've got frustrated by not making the progress I wanted on the dance 3-turns and I pushed too hard both physically and mentally. As a result my hip started to hurt and I've got my mind stuck in a negative state. So last week I tried to reset, skate without a purpose, or even not skate if I didn't feel like I really wanted to. I keep trying to get a balance between training for progress while enjoying the process, and I'm not finding it. I found that taking breaks form training helps a little. I feel mentally better now, but let's see how it's gonna translate on ice.

The dropped 3-turn definitely got better, I would even dare to say good, when I do them slowly. When I go faster into them I still skid, but not as badly as before. I was complaining to my coach about maybe feeling scared when having more speed and he asked if I felt is the velocity that scares me or the quickness. Good question... I wasn't differentiating between the two, and I thought is the velocity, but now I find it's actually the quickness. And it's not even fear, it's more that I'm not quick enough to find the right alignment over the hip when I go faster. So, as my coach says, I need to drill it, for that alignment (that I have when moving slower, because I have the time to think about it) to became muscle memory. I also feel confused about the timing of it, I'm so busy aligning I'm waiting to feel that alignment and there is just no way I can also think about putting it on a count. Back to work then...

Dropped 3-tuns, new corrections for Ice Dancing intermediate level

I've had few new (and old) corrections on yesterday private lesson.

Firstly, you know how I was saying in my last post, that I feel my skills for the Ten Fox are good enough for the level, and all I need is to put a little more power and pay attention to partnering? Actually, it seams that I scrape the 3-turn... badly. May coach showed me the tracing on ice (in the Ten Fox pattern) and it was soo bad. That would be a good reason to fail the test. When I do the dance on my own, I'm never able to find the tracing. When I do the 3-turns on their own, I can find the tracing and it looks correct more often then not. But in the dance, I do the 3-turn after steps harder then and outside stroke, plus I have more speed, so it is a more difficult set up. I have to fix this before thinking of testing.

Here is the post I wrote about the dropped 3-turns. I'll go over the mistakes I make often now, and what I should be doing correct them:
- good forward outside edge on the entry stroke. That would include a good push from underneath yourself, so re bend on the skating foot, but then flip it on the inside edge as you actually put the new foot down. This will make space for the new foot to be set on an outside edge. I am able to do this consistently, but I'm not doing it in the dance... the problem I think,  is rushing, getting overexcited or nervous, and actually stepping, not pushing from underneath.
 - maintain this outside edge, not flatten it. Well, firstly, if I don't set it on an outside edge to begin with, it's kind of impossible, at least for me, to fix it. But let's say I do that right. To maintain the edge I should keep on the back of the blade (and I often find myself forward, again probably from the bad push) and press into the ice keeping the knee out. Yes, I'm letting the knee fall in, then of course the edge will flatten. It's possible I do this even worse with the partner as I may worry I'll hit his knee with my knee. But even on my own, this is not a skill I do without really concentrating on it. Another reason I think I lean forward is that I know I have to get closer to my partner just before turning the 3-turn, so leaning forward does get my upper body closer. I have o get closer with all my body, including the lover body.
- rise over the skating hip, lifting the rib cage. I feel I'm not doing this good enough, but my coach says that what it's messing me up, is in fact that I re bend while still turning (rushing again), and that it is what takes me out of the alignment and making me lean outside the circle not inside as I should, and this is making me scrape.
- another mistake I make often, is allowing the left shoulder forward. I am conscientiously twisting my upper body, but the left shoulder block my, and I am not aware of it while doing it.
- of course I have to turn my head with the turn...
- the old mistake was that I was pushing back after the 3-turn while re bending. It seams I fixed that by re bending even sooner (joke on me), instead of after the 3-turn...

The second correction I've got it was about the back push, and that translates into all backward skating so I'm very excited about it. It will be one of my next posts.

Then we did partner Ten Fox again and again, and I still do all kind of mistakes. There is this expectation that the coach helps the student during the dances, including during the tests. But these things eventually need to be corrected. And I think I have enough corrections for a whole post, so again, I'll come back to it  in a new post soon.

Corrections Jan 2020
- I worked on these for half hour on the next two sessions I was on ice. I went trough all the corrections, and I found the one mistake that ruined it even when everything else was right. This is the LFO 3-turn, so I have to twist the upper body towards the left. Well, I do, but I'm also pushing the left shoulder forward, so I'm blocking the twisting...
- Then on my next lesson, the coach said that even if I'm twisting toward the left, I'm still not aligned over the left hip, I should think of pushing the left hip forward (until now he was saying butt in)
- I was saying that holding the 3-turn entry edge on an outside edge was a problem mostly in the solo pattern dance. I realized that I wasn't finishing the previous lobe correctly, I wasn't twisting while rising towards the inside of the next circle, as I was explaining here. I should finish the previous lobe with the right hand forward and left shoulder back, ready for the 3-turm. I finish sometimes square and sometimes with the left hand forwards, that also means the left shoulder forward and that is a problem even when I do the 3-turn on its own, setting it like this in the pattern is doubling the same mistake!
- But I'm able to correct these, so I need to practice them enough to became body memory. And the dance was already better.... 

And here is a video with my dropped 3-turns done in a circle, both directions

Update from end of January: The dropped 3-turn definitely got better, I would even dare to say good, when I do them slowly. When I go faster into them I still skid, but not as badly as before. I was complaining to my coach about maybe feeling scared when having more speed and he asked if I felt is the velocity that scares me or the quickness. Good question... I wasn't differentiating between the two, and I thought is the velocity, but now I find it's actually the quickness. And it's not even fear, it's more that I'm not quick enough to find the right alignment over the hip when I go faster. So, as my coach says, I need to drill it, for that alignment (that I have when moving slower, because I have the time to think about it) to became muscle memory. I also feel confused about the timing of it, I'm so busy aligning I'm waiting to feel that alignment and there is just no way I can also think about putting it on a count. Back to work then...

Corrections 2023:

- twist the upper body while rising (I was stroking, rising then twisting) and bring the free hip along, don't leave it back. And I figured the stroke-rise and twist is a continuous move. I also figured that with a deeper knee bend in the stroking I have more flow/ inertia into the rise and twist

- let the foot turn  (don't stop it) and don't turn it yourself. I was stroking, stalling and then force the foot to turn, as I can see in the 1st 3 in the video

- Note from my own observation to check with my coach... Today I suddenly scraped the 3s (they were fine for a while now), and I think it is because my muscles were tired and as I stroke the outside edge I leaned forward, so when I raised and twisted I didn't have more space to go forward on the blade ti turn cleanly...

Ice Dancing: Hickory Hoedown

As nothing new is happening with my skating these days, I'll write about a pattern dance I've tested and not described yet.

I tested and passed the Hickory Hoedown (the first and easiest of the Bronze level pattern dances) in January 2018. It is quite a long time ago and I'm not sure how well I'll remember my challenges when learning it. I suspect I will remember while going through the steps.

It is a country/ western style dance, and should be danced like a fun, happy dance. But, my coach said that when it was invented, it was meant to be a tango... honestly that makes more sense to me. Maybe you can read in between the lines that this was not a favorite dance of mine. I don't particularly like country music..

Here is the judging form for this dance: https://www.usfsa.org/content/hickory-hoedown.pdf. As always, I will describe the dance in lobes, or groups of steps that stay on the same circle.

Intro steps: four strokes, left right,left, right, starting along the short end of the ring, and planing to start the dance on the long axis (made by hockey dots) of the rink.

The pattern dance:
1.2.3. Left Forward Chasse (1-1-2, total 4 beats)
4.5.6. Right  Forward Chasse (1-1-2, total 4 beats)
7.8.9. Left Forward Progressive (1-1-2, total 4 beats)
10.11. Right Forward Cross Roll (1 beat) Left Forward Slide Chasse, that felt to me like just an inside edge, but it is called chasse because you don't push into it, you just put the left foot down while you point the right foot forward, then you bring the right foot in, outside of the felt knee and kick it out (total 3 beats) I think this is the first spot where I had a little trouble. I had to remember to finish the lobe perpendicularly to the axis and bring the feet together so I can push into the next lobe that is towards the right, the more uncomfortable side...
12.13.14. Right Forward Progressive (1-1-2, total 4 beats)
15.16. Left Forward Cross Roll and Right Forward Slide Chasse with a kick.  (1 and 3 beats, 4 total)
17.18. Left Forward dropped 3-turn  (2 beats) and Right Backward Swing Roll (4 beats). These continue on the same circle as the previous lobe. The 3-turn technique was hard for me at that point in time. For this dance the specific instruction was to start it going towards the end of the rink, not try to go across from the beginning as it felt natural to me. The not so perfect 3-turn seams to be acceptable for this level and I didn't have a comment from the judges. What wasn't acceptable was me rushing everything from this point on. My coach must have told me a hundred times to just finish the swing roll. But up to the present days I'm not 100% on a solid outside edge finishing the backward swing roll and that made me fell insecure to start the next step, so I think I was rushing the swing roll to have extra time to re balance for this next step.
19.20. Left Backward Outside (2 beats) edge, to Right Forward Swing Roll (4 beats). As I said when I described other pattern dances, when you make a mistake, it has a ripple or domino effect, it shows in the next steps.... So doing a solid back swing roll put me in an impossible position to do a strong left back edge (plus I knew it and that added to the frenzy), and that made it difficult to step confidential forward to the next step. And this is where I had the comment from the judge that I was rushing...
21a.21b.22.23. Left Forward Chasse of just two steps not 3 as before, continued with Left Forward Progressive of two steps, not tree. (each 1 beat, 4 beats total). The reason the first two steps are named 21a and b is because the partner does a single step during these.

The first part of this dance (up to the 3-turm) is on a Killian hold (so, side by side) and it goes on a waltz hold for the end of the pattern. Then, during the last lobe, the lady lift the left arm from the partners back and bring it forward (without hitting the partner), to get into a Kilian hold again. I do remember, when I was first learning this dance, this arm change was the part that made me the most nervous. But i have to say, it kind of happen on it's own.

I was quite confident to test this dance, so not nervous. I felt confident enough to fell I can show off a little, so I've made a new dress for it. And... unfortunately I don't have a video of the test.

Skating Technique: Intermediate Dropped 3-Turns (Ice Dancing)

I'm working lately a lot on 3-turns. I do the Ice Dancing  dropped 3-turns, and also the ones for the MITF Pre-Juvenile test (Forward Outside to Backward Inside and Forward Inside to Backward Outside. I had a post describing Beginner Forward 3-turns (FO 3-turns and FI 3-turns), and I kept writing the new instruction I've got in different posts.

Today I'm writing about the Ice dancing Forward Dropped 3-turns. I've done one Left, or ccw, as part of the intro steps to the Swing Dance, the same one in the Hickory Hoedown, the on Right or cw, in the Willow Waltz, and there are two Left ones (one as intro step and one in the dance), in the Ten Fox. They are getting better, but after I'll test the Ten Fox I'll start working at the Pre-Silver Dances, and the European Waltz is basically just 3-turns... And they have to be good.

Look at this video, these are really good ones. She is an Olympic medalist in Ice Dancing...

Instructions:
Stroke (not step) into the 3-turn, hold the outside edge and extension and pressure into ice.
As you rise:
- keep pressing into the ice
- turn the head into the circle and look up
- turn the upper body toward the center of the circle, lean in the circle
- feel the inside shoulder scapula going back
- bring the free foot near the other foot (some do a T at the back).
- bring the hips around.
- don't think and try to turn backwards, just 90 degrees, the rest is done automatically by the blade sliding and body inertia
Turn and Check
- roll to the front of your blade (the ball of your foot)
- boots are touching
- the turn is happening from the knee,
Hold the Back Inside Edge for a little
- after the turn, balance on the front of the blade
- press into ice
- the boots are still together
- hold posture, butt in, look up
Re bend holding the weight on the skating foot
- press the foot into ice by feeling the shoulder pressing down (and lift from the rib cage as for plie in ballet)
- press the boots together, creating tension. The skating, pushing foot is on a back inside edge and as the free foot boot is hold pressed on the pushing foot boot, it is getting in a goot position to be placed on ice on an outside edge
Push to a outside back edge straight back
- keep the pushing foot pointed forward, don't let the hip go back, that will make the upper body twist

 And for 3-turns done one after the other
- Rise on the back edge with the back  align over the circle
- Re bend
- Open the feet on a T position
- Stroke into a new 3-turn , push forward without leaning forward

Tracking the partner:
- you stroke towards the inside of the circle.For a ccw 3-turn that is towards the left of the partner. It is counter intuitive, because the partner feels in your way, but trust me it is gonna work. It was proven to me by my coach, by drawing it on the ice, demonstrating with another skating so I can watch, and doing it with me at vary slow speed... yes I was very stubborn in my disbelieving
- as you rise, look up, at the partner, lean towards the partner, don't stick the butt out, and square the shoulders with the partner
- the turns happens by itself....

I had to fight hard to do every single line I wrote in the instructions. I'm still not always looking into the circle before the turn, even when I do the 3-turn on its own not in a dance. In a dance, I still do randomly all the mistakes that I thought I've fixed long time ago. Instead of stroking I was stepping and not holding the extension and not pressing into the ice.  But you need a good outside edge and reasonably fast, the extension and pressure into ice hold that outside edge. Then keep pressing into the ice. Then twist the upper body, then lean into the circle...I'm still not holding the exit edge and I rush to push what it should be backwards but it is in fact a hook around, while breaking at the waist (butt out). And don't ask me about partnering... some days I do it, and some days I'm just not. I mean, I am getting better, but painfully slow.

Update on dropped 3-turns on Jan 2020 here

Progress... slow progress

I haven't really worked at my skating skills and for progress, since the beginning of the summer. The reasons were the lingering pain after the small hip injury, getting upset and put off by the politicking in the skating world, to what it was added the inconvenient summer ice schedule. As a result of all that, I've got both unmotivated and out of my skating rhythm. I've tried to get them back in the fall and I just couldn't find a way. So I've decided to skate for my own enjoyment, which I have lost when I was working too hard, for progress, and I wrote about it here. Ideally would be, of course, to work for progress and enjoy the process, but I couldn't find a way to do that just yet.

I wrote here, over a year ago, about progressing from a skating Beginner level to a High Beginner level. I though at that point I was at a High Beginner level, and I think I was right. I was wondering then and I'm still wondering, how to push into an Intermediate level (a beginner Intermediate level). I think I'm at the threshold. I need just a final push to get over it. And I think working towards finally testing the Pre-Juvenile MITF and the Ten Fox will finally get me there. So I'm trying to pump myself up to work for testing. And I'm shooting for testing in mid January. There are few test sessions in mid December that that's after the week and week end I'll be busy with the Nutcracker on ice, so I expect I'll be too tired. Testing  though, is just a symbol of passing a threshold. What I'm wondering is what skills should be acquired for a skater to be (look like) an Intermediate level skater.

I'm so grateful to my coach that he asks and listens about me feeling stuck and unmotivated, not confident even, and trys to help. Lately, instead of going trough the MITF exercises and the Ten Fox, he actually went for skills developing exercises. I mentioned them here and here.

So, just to review what I need to work on with awareness:
- posture and looking up,
- alignment over edges,
- pressure into ice
- touching the boots before pushing (so no wide stepping)
- bending into the ankles at pushes
- pushing perpendicularly away from the axis
- holding the whole body engaged (I think of it at tense, but is more like core engaged, upper body lifted, keep the tension after the push to have straight knee and pointed toe for the free leg.
- speed

I feel quite solid on forward skating. On backward skating I still don't find the balancing point quickly, I feel the push on the left outside edge is "empty". I immediately loose the good posture after the push and I'm not always on the edge. Theoretically I know I have to work on all the things I mentioned, and allow them to became body memory. So I plan to do lots and lots of backward stroking, chasses, progressives both on a circle and on alternating lobes, swing rolls. And of course, the turns (the dropped 3-turns from Ice Dancing and the forward to backward 3-turns from the moves) will get better when the back edges will be better.

Test: MITF Pre-Juvenile part 1

I skated 3 times last week and the hip was fine. My plan is to listen to my body, but ideally I would like to skate at least 4 times a week. I'm working mostly on MITF Pre-Juvenile that was ready for testing at the beginning of the summer but my registration didn't go trough for that session. I plan to test it as soon is revived, the moves are there, but again I'm lacking power.

I'll describe the elements of the test now, and when I'll take it, I'll describe how it all went.

This is a standard test. I've worked on it with pauses, for almost 2 years. I've got the moves rather quickly (like 6 months) but not the power that is asked at this level. And then I hurt my hip and I couldn't work on power...

Here is the judging form where there are drawings with the pattern for each move.

1. Forward and Backward Perimeter Power Stroking (focus on power, F: extension, B: edge quality)
- I do 4 intro strokes then 2 forward crossovers CCW. That is on half the hockey circle (that I will call a lobe) and brings me to the imaginary axis where I do an right inside edge for the first half of the lobe. The next half of the lobe would be a CW crossover. Then a new lobe with a left inside edge and again a CCW crossover.
- Important thing here is the power. Both the first stroke of the crossover and the second one, the under push, need to be pressed and pushed. Speed and lean into the circle will help the power.
- The inside edge need to start at the axis, stroking perpendicular to the axis and the blade should be placed on an inside edge. Update on Nov 2019 to press the inside edge (both forward and backward) and to use the energy from each stroke into the next stroke
- Extension and pointed toe are expected on each of the crossovers strokes and on the inside edge.
- The crossovers strokes are 1 beat each, the inside edge is 2 beats.
- After the last CCW crossover that ends at the axis the end pattern is another crossover and a stroke of 2 beats, right inside mohawk
- The backward line starts with 2 back crossovers CCW (1 beat each stroke) that brings me around at the axis (correction to square the upper body and arms), where a power inside edge is done hold for 2 beats (pull the shoulder and arm back). Then the weight is transferred for the CW back crossover.
- When I started working on this test I thought this was the easiest move from the test, but I've got so many corrections... Looking back is was all about the second stroke on both forward and backward crossovers being whimper and shorter. Of course to fix that I needed a strong alignment on the edge on the first stroke, allowing the upper body to move around the circle, hips under, lean, speed...
2. Forward Outside to Backward Inside 3-turns in the field (focus on edge quality)
- These are quite big lobes, bigger then what I was doing before. Of course I needed a bigger push and that was hard to control at first. 
- Important things are to turn the 3s at the top of the lobe, control the edges, start the lobe perpendicular to the axis, don't do 2 foot transitions
- Here are some corrections and tips, from the millions I've got: turn your head, align the upper body with the circle (at first I was pointing with the arm to the center of the circle to be sure I twisted enough), have the upper body parallel with the boards just before turning, feel the blade parallel to the boards before turning, free hip up, don't think of turning but thing of going back/ forward, count, look up (of course..). The latest tip was that the back shoulder turns the 3-turn... 
- I hurt my hip on a back inside 3-turn, but it wasn't the 3-turn, it was another skater that came with some speed way to close to me and spooked me. After that I was always extra cautions working on these to not be close to people, but how realistic is that? And you cannot work on alignment awareness, while twisting to see who is in your way...
- The hip hurt at different intensities for a year (and it still hurts occasionally). All the 3-turns on that hip (left), disintegrated at points because I wasn't committing in transferring the weight solid on that hip...
- Even without the hip trouble, when  started working at this test I thought these 4 lines of 3-turns were the hardest move of the test.
- Update Nov 2019 for the FO 3-turn. I've been recently asked to press the edge in and out of the 3-turn and  I couldn't do it at first. I was stroking, then releasing the pressure into ice, then press just before the turn, then releasing the pressure at the turn. To make myself hold the pressure I hold the extension longer (that I was asked anyhow to do), until the turn and that made it basically a Ice Dancing 3-turn. So, I've got corrected again, to bring the feet together, when closing to turn, with the skating foot still bent from the stroke, because it is more stable, the to rise o turn, while still pressing into the ice (whaaat? I was doing the opposite, I was releasing the pressure), then bend again. I'm wondering when I will finally understand correctly what I have to do?
3. Forward Inside to Backward Outside 3-turns
- Same (similar) as before...
- My worst 3-turn is the LFI one. The corrections I've got are to really turn my head before the turn and to not drop the right shoulder.
4. Forward and Backward Change of Edge Pulls (focus on power)
- Instructions I remember: set the edge first, press and fall into the edge/bend and pull up, hips underneath, on forward ones keep knees together, point the toe and direct it over the tracing of the circle, on the back inside that means pigeon toe. On the back ones the last piece of advice was to rotate the upper body from the shoulders not just the arms.
- My instructor doesn't feel terrible unhappy about these but I think the kids have more power and speed then me...
- I surely could have practice these more, if it wasn't for the quads burn... And don't get me started on the backward on the bad hip. I think I've aborted half of them...
5. Backward Circle Eight (focus on edge quality)
- These is the hardest move of the test in my coaches opinion. And I've learnt he's always right... So I started to get around the circles fairly quick... somehow.  And I've worked on it  a lot even when the hip was hurt because it didn't bother me. To be honest I still get corrections on this. 
- The first thing is the backward push, not straight back but at a 90 degrees. And there are 2 secrets: don't transfer the weight to the new foot until the push is completed and pigeon toe the new skating foot and lead with the heal.
- Then, for the edges there is the alignment and where your weight falls so you are over your skating hip, and keep the free hip up. There is also the lean, slightly towards the inside of the circle, but definitely not outside the circle because it's taking you of the edge. One tip was not to turn around at the middle but to lift over the hip, bring the free foot straight into the skating foot.
- Then, there is use oh head movement
- Then arms and foot coordination 
- The inside edge got more corrections. Firstly to push back not around and to look outside the circle immediately after the push, that was kind of scary somehow. Then to really keep the free foot over the tracing and at the middle of the circle to bring it straight into the other foot, without changing the hips position. Then, allow the upper body and hips to get square to the tracing of the circle.
6. Five step Mohawk sequence (focus on edge quality and extension)
- There is an inside mohawk, a back outside edge, step forward om an outside edge, and forward inside edge with the free foot forward.
- This requires even steps so an even count to 5. 
- The back edge should fall exactly at the middle of the lobe.
- I didn't get many correction on this. At some point I was making it quick and it looked stepped so my coach wanted more flow. But I've got the BIG correction: to look up! My continuous battle...

Mid month update

These last 2 weeks were again, just ok... The reason is the same, I'm tired, I don't get enough sleep. It seems that in order to skate well, I would need uninterrupted 8 hours of sleep. And I'm registered to test the Pre-Juvenile MITF next week-end.

The good news is that I've had a good skating day each week. That keeps me confident. But that's what I've used those 2 days for, to keep my confidence up. Instead, I should have organized and get myself together for the test. I was planing at the end of last month  to slow down and rework some technique and alignment and that didn't go that well. Now was the time to put together everything, see what levels of precision and power I can do at the same time, kind of marrying them. So that's my problem right now. Sometimes when I get more power I lose my balance and put the foot down. That's an automatic negative score... But then again, I cannot pull back too much from the power as it is a requirement of the test.

The other 2 days I skated on my own each week were hang in there days. I think it was still better then not skating at all. On a somehow positive note, those tired days accentuated my weakest skills, so in a way it pinpointed were I needed  extra work and corrections from my coach.

On the private lesson days I choose to skate just the half hour lesson, no warm up. By warm up I mean working on my own for half hour before the lesson. And that's because on the lessons on the weeks before I was tired from my half hour working on my own. I think it was a good decision.

On my lesson 2 weeks ago, my coach wanted a full performance of the test starting with pretending I look at the judges for the nod to start, the lifting of the arms and en engaging the posture, the confident intro steps and the powerful ending steps. We worked on these before but he gave me extra feedback on how he wants me to display power after each move. Also he pointed 2 spots where he suggested I take a deep breath. And one feels almost sneaky. I used to go to my starting point, assume the posture, lift the hand and then look at the judges. He said, to skate casually at the starting point, look at the judges, and when I have their attention, assume the posture, lift the arms and take a breath... It makes such a difference. He also wants me to put in an ending pose after my t-stop when I finish each move, so I can take a breath right there. If you red my post about my first MITF test, these intro and ending "presentation" used to stress me so much. Now I can actually use them in my benefit.

On my lesson last week he said to stop after each move for corrections. And that gave me some of that test organizing that I was seeking. I've realized a while ago that I need same key words/ reminders to help at a certain point in a dance. My choreographer for the Freestyle program actually said he was using them himself and suggested  places in the programs and words to use. Not to many, or it will  stop being useful. So I've got some "reminders" for each move now:
1. Power crossovers (reminder for backward, posture- push hips underneath).
2.3. The 3-turns were rushed, and on the backwards one I'm turning often before the middle of the lobe. I told my coach that it was a crowded sessions and I was eager to turn so I won't bump into somebody, and you know, fall and hurt my hip. He said excuses, excuses... But with what feedback he gave me I was able to choose one instruction/ thought that helps. On all of them I have to really look at the boards to be parallel with them. This also help my posture be erect.  For RFO is to let the left shoulder get back. For LFI is to turn my head to the right.
4. The power pulls, on all of them fall into the edges and lift up. Forward were fine (coach says hips forward but I would rather remember core engaged), backward there was always somebody in my way. I wouldn't say I'm worried about them, but I don't remember when was the last time I did them without obstacles, so really do them. Reminder: shoulders back.

5. On the back circle eight I'm just chocking when the coach is watching. Actually my theory is that the ice is more chopped then I'm used on my regular sessions.  Also, the coach is coaching me trough it, so I feel I'm letting go on the balance and concentration as I try to hear him and incorporate what he is saying. Excuses? I don't think so, because when I do it on my own, is fine! Reminder: posture (and look up). I feel that if I'm erect the push is good, and the alignments is good.
6. On the last move he always wants something more, like flow, power, look, up, sell it, but there is no specific instruction, But to be honest is the last one and I'm probably giving up a little. So, I cannot do the at at the test. Reminder: don't give up.

The very bad news is that the schedule at my rink changes this coming week and while there are few practice sessions I don't know which of them will be less crowded. On a crowded one I don't think I can do much good. And my lesson is at another rink. So yeah, ready or not.. here I come...

Skating technique: Back Pivots

For the "Skating technique" I'm following the ISI levels, I started with the beginner classes and I progress in difficulty. The Back Pivot (on an outside or inside edge) is part of Freestyle 3. I think is usually done just in the direction of the spinning, that's CCW for most skaters.  And as level of difficulty, it is an intermediate skill .

The Back Right Outside Pivot it's done from a Right Back Outside Edge.

I learned it from a Right Forward Inside 3-turn (so Right Inside edge, turn and finish on an Right Back Outside edge. The 3-turn is checked with the Left hand and shoulder in front but if the back edge continues the Left hand will go back and the Right hand forward).
- as you ride Right back outside edge (Left hand back and Right hand forward), the back will be align with the circle you make with your edge, in other words will be over the circle
- you bring the free foot (Left) to the ankle of the right foot and then back into the circle
- transfer the weight between the legs (50-50) while you put the Left toe pick in the ice
- bend strongly into the right ankle, turn out the right foot
- have the right heal "drive" pull forward or lead with the right heal, push inside of the heal out
- I vaguely remember you have to hold the thighs together (I'm not doing it in the video)
- you need 1.5 revolutions, I've just red that, I thought was just one full revolution, so I'll have to work on it.

Here is mine:

And here is the Back Pivot done after a forward spin finished in a landing position so on a Right Back Outside Edge. On the first example, I had the weight more on the right foot so it made the pivot stop. The second one is a little better but it could be hold longer. I had this spin finished with the back pivot at the end of my program.

And I found an example of back pivot on youtube, not concentrating on the technique for the pivot but using the pivot to work on the alignment for the back outside edge.
https://www.youtube.com/watch?v=_qYDV7DHF64

The Back Left Inside Pivot could start from moving bacwards but also from standing.
-the left hand is hold forward and the left laterally
- you plant the toe pick from the right foot in the ice and transfer the weight on the right foot, on a bent knee while moving the left arm laterally, to start the rotation
- on the same time the left foot presses into the ice to start the rotation and then keeps pressing into ice

The back inside pivot it's used to start the back spin.

Test: MITF Preliminary - part 2

Here is again the link to the judging form.
And the videos of my tests, retry the first one, pass the second one

1. Forward and Backward Crossovers on circles (focus power) with a swing Mohawk when transferring from the second forward circle to the first backward circle.
I'll write a post about the crossovers technique soon and link it here.
I started from standing at the middle of on an end line with 2 strokes, then forward CCW crossovers on the hockey circle, then a left forward swing roll (not required) continued with forward CW to the right hockey circle, swing Mohawk, then CCW back crossovers, back swing roll (not required) before changing to the last circle of CW back crossovers, finish with a backward stroke holding the extension and step forward and stop. The circles have to be similar in size.
My challenges were
- making all 4 types of crossovers looking as they had the same power (they didn't), so I had to pull back on the stronger ones and obviously push as strongly as I could on the weaker ones
- figuring out where to start the swing rolls and finding a pace for the crossovers to get to finish at the point were I was starting the swing. I worked on this test for around a year, and as I did get stronger and faster I had to adjust the number of crossovers and the place were I started the swing rolls.
- the back swing roll I did just on the second test, coming with some speed after the CCW backward crossovers, at first I wasn't comfortable in stroking backwards and holding the extension forward before swinging.
- the swing Mohawk. The swing is all on an outside edge, but then the edge should be changed to inside for it to become the start of the Mohawk. I could do it at slow speed and using more space but on the tight space between the circles I always ended up getting on the inside edge as I was swinging the leg and that made it look wimpy. This is one of the skills on my "wish" list. After I injured my left hip I figured that the forward swing roll to the right was straining my left flexors and abductors so I stopped doing them. But it's time will come.
I've got passing score of 2.5 on both tests but I do think I was more confident at the second test.
2. Consecutive Outside and Inside Spirals (focus on extension and edge quality).
My straight spirals were pretty consistent on both legs at this point, BUT you need to do 5 consecutive and equal lobes of outside edge spirals on the length of the ring, then 5 more on an inside edge. And you need to keep the extension higher then the hip level for 4 seconds so you need to get on the edge and the leg up very quickly, otherwise you run out of space. My biggest problem proved to be getting out of the spiral quickly and in a controlled way. I was saying when I talked about the spiral technique here, that I wasn't used to square the hips and upper body, but stack the hips and twist the upper body. I think that is easier to hold the edges like that, but it's hard to change the lobes, you have to change the lobes square to the axis, there is no other way. By the second test I've gotten a little better.
Again I've got 2.5 on both tests, but I definitely improved the control on changing lobes on the second test.
3. Forward Power 3-Turns (focus on power)
That is a 3-turn step wide on an inside edge and pull into a back crossover, and step forward into the 3-turn and repeat. My RFO was way slower then the left one, but to be honest they were both slow. This is a power move so it needs to show speed. I also wasn't turning the 3-turns at the middle of the lobes on the first test, i was rushing. That wasn't even my biggest challenge. That was to step forward squared after the back crossover, perpendicularly to the axis. If I wasn't square at that point I couldn't control the next 3-turn.
On my first test I messed up a 3-turn, but either the judge didn't see it, either one mistake was allowed, she didn't comment on it. But still I've got just 2.4 for luck of power. I've got. 2.5 on the second test.
4. Alternative Forward 3-turns (focus on edge quality)I've got 2.5 on both tests.
I talked about outside and inside forward 3-turns technique here and here.The alternative outside 3-turns was the hardest move for me, more exactly the transition between the 3-turns. Theoretically you need to do a controlled 3-turn (figures style) leaving perpendicularly from the axis (forward outside edge) and returning perpendicularly to the axis (back inside edge) with a perfect balance and posture and then twist your blade on that spot from backwards to forward to start next 3-turn. But again, for this test the quality should be 2.5 out of 6. The judges don't expect perfection. And I saw kids testing and forcing the end of the 3 turn close to the axis but not on the axis into the next one, so that's what I set up to do. So, my trick was to snap the turn and really keep the free leg, hip and glutes tight and as I was approaching the axis, open the hips to be able to start the next turn. This move is not on any of the adult MITF tests, it is an award, wicked one...
5. Forward Circle 8 (focus on edge quality and continuous flow). I talked about it here. I've got 2.5 on both my tests. On the first test I was wobbly but I didn't actually put the foot down (as it appears in the video) and after the test the judge complimented me for the "exact" edges and that circle 8. Again, she either didn't see the wobble or it was "exact" for this level.
6. Alternating Backward Crossovers to Backward Outside Edges (focus on power and extension)
I've got 2.3 on my first test, again for "lack of power", and 2.5 on my second test but with the suggestion "more power needed". I'll talk about power in one of my next post, I have enough thoughts and feelings about it to fill a whole post! What I think helped me on this move the most in the second test, was a straighter posture (shoulders rolled back and lift from the waist up, core engaged) on the backward edge. On the first test I was off balance after the back edge so I couldn't push well into the crossover. I knew and I see in the video that on the LBO edge was not over my hip, I'm working now on back swing rolls and I'm close in finally correcting that.

Test: MITF Pre-Preliminary part 2

Read here the MITF Pre-Preliminary part 1, where there is a link to the judges form. I'll go on here, explaining how I prepared for each task. And here is the video of my test:

1. Forward Perimeter Stroking (CCW and CW) with focus on power and extension.
I explained the Forward Stroking in a previous post.
Firstly CCW and here is the diagram.

There are 6 strokes with 4 crossovers at the end and then repeat. The intro steps were 2 strokes to the end of the ring (left, right) and two crossover  (left, right, left, right), so 6 steps total. I was mentioning in the previous post that I was getting few coaches help in preparing for this test. Two of them insisted that for my height I should do just 4 strokes to demonstrate power. I tried for few weeks if not more but I was as I was trying to push harder into the stroke, I was loosing the posture and I was actually getting tired quickly. When I asked another coach about this, he said that if I look like I'm struggling (as I was) it doesn't show power, shows the opposite. So, I went back to 6 strokes. But working on power I did get better at it and now I was running short on space after 5 strokes, so last stroke on the left foot. And that is a problem for starting the crossovers as they are left, right. So, it took me  a while to get the right stride, rhythm, pace and breathing... I won't go so far as saying that this was the hardest task of the test, but I will say that this showed me exactly what testing is. It is not just knowing to do something, but doing in on a count (yes, the majority of the skills in MITF tests are done on a count so they are consistent and uniform), on a specific pattern and in a pleasant manner.
For the CW stroking I ran into another problem. As the crossover were right, left, right, left, I either had to start the intro steps from a farther away step to fit 3 intro strokes (left, right, left), or start with a right stroke, as I choose. You wouldn't believe how many times I forgot that! And being that these are intro steps and are not judged, it is not a big deal do add a stroke to get on the right (well, left foot), but it's unsettling...
This task takes probably half of the test time, and it gets boring so really it ends up being an exercise for focusing your mind and breathing.

2. Basic Consecutive Edges on alternating lobes (FO, FI, BO, BI) with focus on edge quality. Read about the Forward Edges and Backward Edges. Again, the diagram asks for 6, but for my height is ok to do 4. Also, you can start with whatever foot you want. I settled into doing 5 and I started on my best foot, so I've got 3 on the better side and 2 on the weaker side. The challenge here was to do them same size. My forward edges were way better then the backward ones. I was comfortable doing 4 lobes forward and 6 backwards. That's another reason I ended up doing 5 of them.

3. Forward Right and Left Foot Spirals with focus on extension.
I'll explain the skill in a different post and link it here. The test asks for intro steps (as for forward stroking), then spiral on one leg up to the middle of the rink then on the other foot till the end.

4. Waltz Eight with focus on edge quality.
I described the Outside 3-turn in a previous post. The pattern for the test is on a circle an outside 3-turn, followed by and outside edge and an inside edge, each element covering a third of the circle, then another circle do the other side, forming a figure eight. Then repeat. It is called a "waltz" eight because you do the elements on a count of the waltz rhythm: for 3-turn 123 for the outside edge, 456 for the inside one and so on... Generally, for the test, the 3-turn is done with the foot extended at the end, but it is not a specific requirement. I've just learned to do it with the foot in, and hold the exit edge with the foot in, that for me was way harder,  and I wanted to changed myself and did it like that for the test.

I was satisfied when I finished the test. Not that I was perfect, but I did almost as well as I did in practice. I know there is a saying for competing: practice as it would be the competition and compete as it would be the practice. The same would apply for the tests. Actually for tests, my coach advises to be over prepared to compensate for the nerves during the test.

Skating technique: turns - Forward Inside 3-Turn

turns - part 3

Read about the Forward Outside 3-Turns here and Forward Inside Mohawk here.

The Forward Inside 3-Turn goes from a Forward Inside Edge to a Backward Outside Edge, on the same foot. I found it scarier than the outside 3-turn. And it's because you finish on an back outside edge with back and weight towards the inside of the circle and the free foot on the outside of the circle. So, if you would loose your balance after the turn, towards the inside of the circle, the free foot it's not there to "fall on it". It goes like this:

- stroke on an Forward Inside Edge from a T-position, with the same hand as the skating foot in front, skating knee bent. The alignment should be the imaginary neck zipper, in line with the belly button,  in line with the back of the arch of your skating foot, where your weight should fall when skating forward. You can ride the edge with the free foot extended back over the circle tracing that you skated or you can bring it immediately at the back of the skating foot. For "figures" style the free foot boot is perpendicular on the skating boot, for a more relaxed skating like MITF could oblique near the skating foot boot like here or here. For a Freestyle 3-turn, used before jumps and spins, the free leg stays extended, like here. The idea for a beginner is to not keep the free foot boot parallel with the skating foot boot, because it will make the turn harder. One tip I've got was to keep the knees open, that would keep the free boot back and oblique not parallel with the skating boot.
- to turn, twist the upper body towards the inside of the circle (for beginner until the hand that was in the front points to the center of the circle) and look towards the inside of the circle, while rising on on that foot (so straightening the knee) to bring your weight over the skating hip. One thing I'm careful about is to press into the ice during the initial edge and the rising on the skating hip and foot, until I'm ready to turn on the ball of the skating foot when I release the pressure into the ice.
- after the turn you'll be on a Back Outside Edge on a bent knee again and pressing into the ice again. You have to twist the upper body the opposite direction from what you twisted before the turn to check the turn. I feel I have to push back the skating shoulder. And you have to stay over the skating hip, ideally leaning toward the inside of the circle. A correction I still get is to not drop the free hip, that makes the skating hip to stick out.

Important to all the turns is to not rush the turn, at the beginner level that usually means that the upper body is not rotated enough.

If you'll continue holding the BO edge, after the check you'll allow the arms and shoulders to move so you will be with the back at the circle, so the skating arm will be to your front and the free arm to your back, leading the way as you go now backwards. Also is important to allow your head to look back, meaning, outside the circle.

This is all there is to it :)

Skating Technique: turns - Forward Outside 3-Turns

turns - part 2.

Disclaimer: this is my understanding of the technique and my experience in learning skating, could be not the correct one...

The Forward 3-Turns allows you to go from skating forward to skating backward without changing feet, so you stay on the same foot. It is called a 3-turn because it make a mark on ice resembling the figure three. As I was saying in the previous post about the Forward Inside Mohawk, it is not an easy skill. I actually don't find it a beginner's skill. At this level you get the idea, and you do it better and better as you progress.

When I learned these in my group class, the only instruction I remember I was given, was:
- to go on an arch (lobe), so outside edge turned at the top of the lobe into an inside edge,
- start with the opposite hand than foot in front,
- twist the shoulders towards the inside of the circle
- turn on the ball of the foot
- twist the shoulders back (to check)
And it was demonstrated. I was saying before, the group classes were more "monkey see, monkey does"... While I understand that beginners can be overwhelmed by too much instruction I wish I knew a little more. Like:
- to keep my weight on my skating hip (that usually translates to me in don't drop the free hip)
- twist your shoulders is actually twist your upper body (from the waist up, so the core, rib cage and shoulders) while engaging the core and keeping the upper body connected with the hips. I had a breakthrough when I was told bring the hips around too, but it may be a correction just for me because I have open hips, and I used to really leave the free hip back...
- you turn on the ball of your foot to lift the rest of the blade of ice so it won't scrape and stop the turn
My private coach says for 3-turns you should work on 4 things
- head (turn your head first)
- upper body (that I explained already)
- bend- rise- re bend, that is you ride the edge with the knee bent, you rise to bring your weight on your skating hip and the ball of your blade, then bend again after the turn to hold the inside edge
- AND LEAN. I mentioned the lean when I was talking about edges, and I was saying that that's more an intermediary requirement, because it wasn't mentioned to me as a beginner. But I think the beginner should be aware about the lean and start working on it

The most interesting fact that I learned about the 3-turns was that the turn is done from the skating knee. This may an intermediary level information, so as a beginner maybe ignore it...

I think this is a good time to say that, surprise!, there are different types of forward outside 3-turns...
The "figures" style 3-turn is an oldie but goldie or goodie. This would be done at slow speed in a controlled and exact manner. I don't think this is a beginner turn but maybe it should be...
And here is a link to an old book I found online. Do notice that what they call spirals are actually edges: http://iceskatingresources.org/Chapter3FO3Turns.html
This 3-turn relies in the understanding of edges done using the lean. And the free foot is kept at the back of the skating foot (in a T-position) and the free hip hold back (that I was saying I was corrected to not hold back... as a beginner). The foot and hip in this position help to hold the back inside edge, more precisely to do not over rotate it after the turn. And the turn is done by shoulder rotation, leaning and turning on the ball of your blade while being align on your skating hip. They also mention to press into the ice. That would be bend-rise-bend that happens a lot in skating.
The Freestyle 3-turn (before jumps or spins) is faster, straighter and with the free leg extended.
Ice Dancing 3-turns that I know are the dropped 3-turn and the American Waltz 3-turn. They are exact, compact so the partners can do them together, they have a very specific count and they are very pretty :)
The MITF 3-turns are a little bit of everything. Plus each level of testing asks for the 3-turn to be put in a different combination. One of the skills in the first test (Pre-Preliminary) is the "waltz eight", and while there is no specific requirement about the 3-turn, is customary to be done with the free foot extended on the exit edge, to look waltzy... I think this is the easiest, the beginner, waltz eight 3-turn and goes like this:
- stroke on an outside edge from a T-position. Opposite hand is in front, the skating hand laterally-back. The skating foot is bent and the free foot is extended as long as comfortable then brought near the skating foot, laterally, not in the back. This helps keeping yourself over the skating hip. Also it brings the hip around, which ideally would be done with the core being engaged during the upper body twist, but I feel beginners don't engage the core properly.
- twist the upper body until facing the inside of the circle, the free hand should point to the center of the circle. Press into the ice with the skating foot while still bent and when you feel the twist is almost turning straighten the knee and get on the ball of your foot while still pressing into the ice. Then release the pressure into the ice to allow the foot to turn. The ball of your foot is the axis of the turn, the heel of the foot will make an arch.
- check the upper body after the turn (twist the other way so the skating hand is now in front), press into the ice again and extend the free foot back to help with the check. The skating knee should bend again to have a better inside edge. I was kind of snapping that free foot back while holding the lower back and buttocks tight, and while it helps with the check it flattens the edge... The alternative was that I couldn't hold the exit edge at all, I would have put the free foot down immediately, so while not ideal, it was helpful. I also could't bend the knee until I was stable on the edge.

The 3-turns are hard!!!