Mid month update

As I feared, I haven't got to skate my regular schedule. This time of the year is busier, and I also did the Nutcracker on Ice that took a lot of time. To add to that, we've had our holiday on ice annual party, where each of us brings a treat. We do skate but there is lots of talking especially because people that don't skate regularly come to this session to catch up. Then, I woke up one day with a stiff back, I think I may have been cold during the night. It doesn't feel injured, just painful. And next two weeks the ice schedule it's gonna be even less manageable.

I've decided to concentrate only on the Ten Fox and hopefully get that tested mid January. I was able to add an extra lesson this week and next week, so even if I skate less time, I'll have more of my coach's guidance. And I think this will work, because the majority of the work left to be done on this dance is for partnering. There are few spots where I go on my own way, instead of following my partner. And, because of that, I'm slower on those spots and I fall behind the music.

Besides the dance, I'm going trough the Pre-Juvenile moves each time I'm on ice.

But, what I'm really trying to work on, is the basic alignment. To progress to the next level I need develop and to show more power, and that usually is described as speed. But is confident speed, and that is only possible with a good lean, pressure/ grip into ice and these are only possible with good and quick balance and alignment. Skating forward, I was paying attention to the spot on the blade where my weight should be, and for skating clockwise I was always forward on my blade and leaning/reaching forward, and I think I improved that a lot. Now there is mostly that the skating hip sticks out. I'm quite sure that I don't use my core muscles enough.I'm trying to make myself do some core exercises, but I'm not good at sticking with it. Skating backwards needs even more work, it seams that I do all kind of things with my hips with the back push (like allowing the free hip to go back after the push, and/ or dropping this free hip).

I'm sure everybody goes trough these rebuilding of the basic skills phases. And I'm wondering how everybody approaches it. It used to be frustrating for me. I think I felt that feeling frustrated was counterproductive to my skating and I've blocked it, repressed it. But the feeling may still be there in a different form, because I still have a negative emotion about this process. And I'm wondering now if repressed frustration isn't actually worse then acknowledged frustration.

Intermediate Backward Skating and Backward Swing Rolls

I've worked on the Swing Rolls (both forward and backward) very little since I've hurt my hip (a year and a half ago), because I feel that when I hold the extensions I put more strain on the hip muscles. But I need the Backward Swing Roll in the Ten Fox, so I have to work at it a little.

I've wrote a post about the Backward Swing Rolls not long ago, here, but I feel I've got enough corrections for an update:
- Push straight back, find a good edge with a good, high extension of the free foot forward.
- After the push, the free leg ending a little away from skating knee (free foot is 6 inches away from the edge's tracing)
- Level shoulders, don't drop the free hip back, pointing the free foot's toes forward, helps keeping the free hep forward.
- Rise over skating shoulder, draw free foot towards the skating foot.
- Don't swing too late, swing at middle and quickly
- Press into the ice, straighten the skating leg and push the hips forward
- Free shoulder very back over skating hip
- Feel the weight over skating side 
- Free leg very back, don't let the hip open

I've written here about how I plan to work more on my backward skating and I'm doing it... Every single day I'm on ice, I do these (boring and frustrating) backward exercises as much as my patience allows me. Some days it is not much, but some days I've stuck with them for half hour. My coach's wisdom (all coaches' wisdom) is that after you've understood how to do something correctly (and that can take a while), do it a thousand times (yes this can take a long, long time), so it becomes body memory. To bring my backward skating to an intermediate level I feel I need to look and feel more confident and that implies finding my balance quickly, good erect posture, high extension on the free leg forward, no wide stepping, comfortable speed.

Backward stroking concentrating on:
- going slowly
- look up and straight posture
- re bending before pushing (my coach asked me to actually stay few seconds in the bend position). If I rush, I bend forward as I push back, then I loose the press into the ice as I straighten and I don't have a strong push.
- holding the core engaged. I think I'm overdoing this, I feel tense and I think I look tense, but generally it seems it helps me to overcompensate for a while and then pull back to a more balanced approach so after the push the whole body moves like a block, doesn't twist
- not allowing the pushing foot hip to go back after the push, pointing the toes forward help too
- not allowing the upper body to twist after the push, hold it square
- press into ice as I rise (on the front of the arch foot, or just back of the ball of the foot)
- bring the free foot in tense, as I would have an obstacle in it's way, like the arms of a scissor
- feel the boots touching
- re bend
I think my biggest problem is the rise while pressing into the ice and holding the balance and posture... and that will affect the re bend so the push, so, everything....

Backward Chasses on a circle:
- posture (straight, almost back, with the shoulders rolled back)
- pushing the heals back (to the direction of traveling) to balance the shoulders rolled back
- touching the boots
- pressing into ice and pushing from the ankles. For the chasse you push just from the foot outside of the circle you are creating, the foot that is towards the inside just lifts of the ice and goes back on it. The pushing foot is always on an inside edge, and the foot that does the chasse is on an outside edge. It is a good exercise to train this push from the pushing leg that is on an inside edge to the other leg that is on the outside edge. That includes holding the boots pressed together so you can place the foot towards the inside of the circle on an outside edge.
This is a good exercise to teach your body to push from an Backward Outside Edge to an Backward Outside Edge as you have to do to change the lobes on Backward Chasses on alternating lobes exercise that I described here. And the secret is that as you rise to finish one lobe on the BO edge, you flip that foot on an inside edge just before pushing on the other foot BO. Holding the boots together while flipping the pushing foot on the inside edge, puts the other boot in the perfect position to be placed on the outside edge on ice. Again I think I'm not always balanced as I rise, and that makes re bending hesitant so I rush and I put the free foot down. That inevitably is a wide step and an inside edge. It's gonna be a long road to do this correctly.

Skating Technique: Intermediate Dropped 3-Turns (Ice Dancing)

I'm working lately a lot on 3-turns. I do the Ice Dancing  dropped 3-turns, and also the ones for the MITF Pre-Juvenile test (Forward Outside to Backward Inside and Forward Inside to Backward Outside. I had a post describing Beginner Forward 3-turns (FO 3-turns and FI 3-turns), and I kept writing the new instruction I've got in different posts.

Today I'm writing about the Ice dancing Forward Dropped 3-turns. I've done one Left, or ccw, as part of the intro steps to the Swing Dance, the same one in the Hickory Hoedown, the on Right or cw, in the Willow Waltz, and there are two Left ones (one as intro step and one in the dance), in the Ten Fox. They are getting better, but after I'll test the Ten Fox I'll start working at the Pre-Silver Dances, and the European Waltz is basically just 3-turns... And they have to be good.

Look at this video, these are really good ones. She is an Olympic medalist in Ice Dancing...

Instructions:
Stroke (not step) into the 3-turn, hold the outside edge and extension and pressure into ice.
As you rise:
- keep pressing into the ice
- turn the head into the circle and look up
- turn the upper body toward the center of the circle, lean in the circle
- feel the inside shoulder scapula going back
- bring the free foot near the other foot (some do a T at the back).
- bring the hips around.
- don't think and try to turn backwards, just 90 degrees, the rest is done automatically by the blade sliding and body inertia
Turn and Check
- roll to the front of your blade (the ball of your foot)
- boots are touching
- the turn is happening from the knee,
Hold the Back Inside Edge for a little
- after the turn, balance on the front of the blade
- press into ice
- the boots are still together
- hold posture, butt in, look up
Re bend holding the weight on the skating foot
- press the foot into ice by feeling the shoulder pressing down (and lift from the rib cage as for plie in ballet)
- press the boots together, creating tension. The skating, pushing foot is on a back inside edge and as the free foot boot is hold pressed on the pushing foot boot, it is getting in a goot position to be placed on ice on an outside edge
Push to a outside back edge straight back
- keep the pushing foot pointed forward, don't let the hip go back, that will make the upper body twist

 And for 3-turns done one after the other
- Rise on the back edge with the back  align over the circle
- Re bend
- Open the feet on a T position
- Stroke into a new 3-turn , push forward without leaning forward

Tracking the partner:
- you stroke towards the inside of the circle.For a ccw 3-turn that is towards the left of the partner. It is counter intuitive, because the partner feels in your way, but trust me it is gonna work. It was proven to me by my coach, by drawing it on the ice, demonstrating with another skating so I can watch, and doing it with me at vary slow speed... yes I was very stubborn in my disbelieving
- as you rise, look up, at the partner, lean towards the partner, don't stick the butt out, and square the shoulders with the partner
- the turns happens by itself....

I had to fight hard to do every single line I wrote in the instructions. I'm still not always looking into the circle before the turn, even when I do the 3-turn on its own not in a dance. In a dance, I still do randomly all the mistakes that I thought I've fixed long time ago. Instead of stroking I was stepping and not holding the extension and not pressing into the ice.  But you need a good outside edge and reasonably fast, the extension and pressure into ice hold that outside edge. Then keep pressing into the ice. Then twist the upper body, then lean into the circle...I'm still not holding the exit edge and I rush to push what it should be backwards but it is in fact a hook around, while breaking at the waist (butt out). And don't ask me about partnering... some days I do it, and some days I'm just not. I mean, I am getting better, but painfully slow.

Update on dropped 3-turns on Jan 2020 here

Skating technique: Backward Swing Rolls

Here is a video of mine, done on alternating lobes.

Read the post on the Backward Chasses, as there are similarities between these steps.

Intro steps: I do 2 forward strokes, Mohowk, 2 back strokes, that would bring me to the axis going on the lenght of the rink.
First lobe:
1.Right Back Outside Edge (RBO). Use the backward push into it, and push straight back, perpendicular from the axis, put the right foot on an outside edge as you push and hold the free foot extended (when partnering, it should and will match the partner extension stroking forward). The skating leg is bent at the knee. The upper body is turned a little toward the inside of the circle.This is the same as for the Back Chasse, with the mention that you hold the edge until the middle of the lobe. Also the extension of the free leg is emphasized more (it has to match the extension to the back in the second half of the lobe). Also, I was surprised when my coach mention it, but, concentrating on having a higher and longer extension, puts you on a better back edge... As for errors, I can see in the video that after the back push I allow the upper body to open towards the outside of the circle immediately. If I would hold it slightly towards the inside of the circle, again, I would have a stronger back outside edge.
2.At the top (middle) of the lobe, you straighten the skating leg and bring the free foot at the ankle of the skating foot. You keep your weight over the skating hip and press into the ice. This is where you would square the upper body (that should have been kept facing inside the circle until now).
3.Continue the RBO Edge. The free leg goes back (in a controlled manner, not a swing) and should be kept back for the whole second of the lobe (not dropped down immediately). The upper body turns slightly  with the back at the circle, and the free leg and the arm on that side are moving together.
Changing the lobes:
- When there is a foot left till the axis you bring the free foot in, pressing into ice, holding the core engaged and keeping the weight over the skating foot and hip. The upper body doesn't change (it did at the top of the lobe)
-  Still keep the weight over the skating foot and re bend and flip your outside edge on an inside edge  and push and start a new lobe

Swing Rolls (both forward and backwards) hurt my hip so i didn't work at them at all. I'm sure I'll get more corrections and tips from my coach when we will work at them.

Update on 11/30/2019 with new corrections (here).

Skating technique: Backward Chasses

Backward Chasses are advance beginner Ice Dancing steps appearing first in the Swing Dance, a Pre-Bronze pattern dance.

They are done as a 3 step on alternating lobes, or a 2 step on a circle, but  the name Chasse is for one particular step where the foot is lifted and "chases" the other foot.

When I first started talking about Ice Dancing technique I talked about "Edges and Lobes" and that covers the forward and backward edges. Then, before I described the first forward Ice Dancing steps (forward Chasses, Progressives and Swing Rolls), I described the "Deep Forward Edges" and an exercise called Forward Edge Presses.  I will describe the Backward Deep edges later because I think the Backward Chasses are easier to do (having 3 steps on a lobe) then the Backward Edge, which requires to hold that edge for the whole lobe... I'm bringing back the talk about the lobes because transitioning between lobes (changing direction) is a skill in its own, separate from any step. For backward lobes it is the same principle as on the forward lobes, just harder to do at beginner level.

I described in my previous post the backward push and the posture and balance when skating backwards.

Here are my chasses on alternating lobes:

Intro steps: you need some speed going into any pattern. I've got used to do 2 forward strokes, Mohowk, 2 back strokes, that would bring me to the axis going on the lenght of the rink.
First lobe:
1.Right Back Outside Edge (RBO). Use the backward push into it, and push straight away, perpendicular from the axis, put the right foot on an outside edge as you push and hold the free foot extended (it should and will match the partner extension stroking forward). The upper body is turned a little toward the inside of the circle.
2.Left Inside Chasse. There is no push to get on the inside edge, you kind of fall into it. Lift free foot flexed and keep it close to the skating foot. And press the inside edge. The inside edge should bring you to the top of the lobe (middle).
3.RBO Edge. There is a push from the inside edge onto this outside edge and it is straight back, parallel with the imaginary axis (I'm not doing it, you can see in the video, I push around). You put the skating foot on an outside edge and that edge and the lean of the whole body into the circle should bring you around the lobe. And you hold the extension again.
Changing the lobes:
- When there is 1/4 left of the last outside edge lobe, you rise keeping the weight on the skating foot, that is straighten your skating leg while pressing into the ice, bring the free foot near the skating foot (using the inner tights muscle like a scissor motion), and holding the core engaged, square the upper body to be perpendicular to the circle, when you'll take the new push back, the upper body will be over the imaginary axis)
-  Still keep the weight over the skating foot and re bend and flip your outside edge on an inside edge to prepare for the new backward push while rotation the upper body slightly to face the new circle and... push and start a new lobe
- I certainly couldn't do this holding the weight over the skating side, I was "falling onto the new edge, so basically I was transitioning between lobes on two feet. And that is acceptable for a beginner and for the Pre-Bronze pattern dances. At this point I was still working in finding the balance going backwards. Nowadays, after 2 years I've learned the backward chasses and I work and test the Bronze pattern dances, I have days when this transition is better. The one exercise that I felt helped is the edge presses. I've described just the forward ones, but I'll describe the backward edge presses soon.

And here is a video and instructions for doing the chasses on a circle:
https://www.youtube.com/watch?v=F7aV-IbyElA&t=73s

Skating technique: Backward Stroking and Backward Push

When I first started writing about technique I looked into the ISI levels to follow their progression in difficulty of the skills I describe. I was surprised to find backward stroking in the Beta level (early beginner). For once, I don't remember learning it at all, and then, I think it is impossible to learn it at that level. Surely, at that level it is an intro to backward stroking. And I had post describing skating forward and backward for beginners. And on the ISI web page there are videos demonstrating the skills for each level. (https://www.skateisi.org/programs/testing-requirements/). On the ISI next levels there is some back push into the back edges, that I described here, but more then that there is no backward stroking in Freestyle. To go backward in Freestyle you use 3-turns and mohawks and do backward crossovers.

In Ice Dancing, on the other hand, there is all kinds of backward skating that need a strong backward push and he understanding of posture and balance when going backwards.

The posture and balance: for skating backward you should feel your weight on the front part of your foot arch, some say it's the ball of your foot, but then it's the back part of it. (Reminder, for forward stroking you feel your weight at the back of your foot arch, some say back of the blade). The posture when skating backwards is even more erect then skating forward, it almost feel you are leaning back. To balance,  you push your heals underneath you (towards your back, but they travel forward) bending your ankles and knees more.

The backward push:
- bend your knees
- keep the weight on both feet, but mostly on the the foot that will push, otherwise the push will be "empty", will have no power
- push back from "underneath" you at a 30 degrees angle from the axis of traveling (pigeon toe), gripping the ice with the ankle. I kind of have the same sensation as when I cut with a knife the flower stems at an angle (to absorb water) to put in the vase.
- there is tension in that push, extension, that is kept to turn out the foot from the pigeon toe (this may be that ice cream scooping image that I was given, that I didn't really feel)
- do not drop the free hip (the ice cream scooping made me drop the free hip). For me is more the feeling of piercing something, so pointing forward while rotating, the ice cream scooping feels for me more like grabbing around). The most recent correction was that my free hip is too back (I feel it's part of the same problem as dropping the hip). Also that I don't transfer the weight completely on the left side (and I can see that in the video that I've took for this post)
- keep a strong core, you should feel like you are a wall and the push moves the whole wall. My coaches explanation is that you feel the push in your opposite shoulder blade.

The backward stroking: after a good backward push there is no much to stroking. You just bring the free foot turned out and with pointed toe to align 6 inches to the skating tracing on ice.

Here is some beautiful, beautiful forward and backward stroking.
And here is my stroking

Skating technique: edges - Basic Backward Edges Outside and Inside

edges - part 6.

As I didn't do much skating lately, I was thinking to go back in time and tell you about my first MITF test. I realized I never talked about the basic back edges and they were part of the test. If interested, read older posts where I covered the Forward Edges and  the importance of Edges and Lobes.

For the  backward edges, as for all the skating backwards, you should feel your weight on the front part of your foot arch, some say it's the ball of your foot, but then it's the back part of the ball of your foot. The posture when skating backwards is even more erect then when forward, it almost feels like you are leaning back. To balance, you push your heals underneath yourself (towards your back) bending your ankles and knees more.

Right Backward Outside RBO and Left Backward Outside LBO Edges:
- Start with the feet shoulders apart, staying on the axis, perpendicularly, left arm in front, right one lateral, hands waist level facing/ pressing down.
- Look left, on the length of the axis, towards were you'll go
- Push back not around: Bring your weight over the left foot, bend both knees and push with the left foot into the ice or push the ice away, at an angle of approximately 60 degrees not 45 as pushing forward, turning the foot out after the push (like scooping ice cream or the beginning of a back swizzle) onto your right foot, holding the left foot extended over the circle tracing. See the back push and stroking here in the second part of the video. Initially I was asked to push like I was doing the first half of the back swizzle (that is half of a lobe but on this back edge lobe would be smaller than a quarter of the lobe). And that's a  good visual for a beginner. The problem with that is that was making me push around not back. I was saying to push back, not around, that means to not allow the upper body to rotate after the push. Hold your core, lower back and shoulders together.
- First part of the lobe:  Now, your back goes forward so it's hard to describe which hand is forward and which is back... I'll say that the right arm and shoulder lead the way, your weight is on your right hip, right leg bent, and the left arm and left foot that's extended, trail over the lobe tracing. Your upper body is twisted to face the circle and leans a little towards the inside of the circle.
- Middle of the lobe: Coordinating the hands and feet, lower your hands near your sides and bring the left foot near your ankle, this will square your shoulders and hips.
- Second part of the lobe: Continue the upper body small rotation so your back will be towards the inside of the circle left hand and shoulder will lead the way. The left foot can stay near the right ankle or can extend together with the left arm. The head turns, but more then the upper body, you look over your left shoulder to the axis where you'll change the lobe.

To start the next lobe you hold your hands and shoulders in the same position and bring the free foot at the ankle, bend and push.

Right Backward RBI and Left Backward Inside LBI Edges:
- Start with the feet shoulders apart, staying on the axis, perpendicularly on the axis, left arm forward, right arm lateral, hands waist level facing/ pressing down.
- Push: Bring your weight over the left foot, bend both knees and push back with the left foot, onto your right foot and hip, left foot extended in front.
- First part of the lobe:  Right shoulder is leading the way but right hand is lateral, or a little towards your back,  so your right shoulder doesn't twist around too much and loose control. Left arm is trailing the tracing of the circle and you look over your left shoulder inside the circle. This is what helps me not over rotate. Left foot is extended to the front, over the tracing. That helps holding the balance. Also, engage your core and don't let your right hip stick out. You are kind of with the back at the circle but not really, again maybe 45 degrees.
- Middle of the lobe: Coordinating the hand and feet, lower your hands near your sides and bring the left foot near your ankle, this will square your shoulders and hips.
- Second part of the lobe: Continue the upper body small rotation so it's turned towards the inside of the circle. Left arm and shoulder leading, right arm trailing, keep looking over the left shoulder. Left foot could stay at the ankle or could extend with the left arm leading the way over the imaginary tracing.
- Tip... on back inside edge, stay on skating hip, skating shoulder back, weight between the front ribs

To start the next lobe you hold your hands and shoulders in the same position and bring the free foot at the ankle, bend and push.

My back edges were way weaker than the forward ones when I tested MITF Pre-Preliminary level. But they were good enough for that level. I find that the beginner elements are really learning tools so it's not to be expected to be done 100% correctly. The goal at this level should be to understand. I don't think good backward edges could be done without proper posture. Even when I understood what that should be, I still couldn't hit it quickly enough after pushing. Plus, I was pushing around. I'm working now on Backward circle 8 for MITF Pre-Juvenile level and I feel I'm finally starting to get it.